Johannes Vermeer – The Little Street 1657-1658
September moves every day, —
in sound & silhouettes,
in an immersion of subtle
pigments — but you,
You are my favorite kind
of vulnerable & tender.
As real in my hand
as a Coffeyville brick,
As light in my palm
as a captured sallow sun.
(I want you to know,)
are the two softie dogs
on our sweet Little Street
lying together if only
to mirror our love’s delight.
playing it again for M at Real Toads
the things you like, —
all go together
in your body shell
and tempermental intestines
with miles of bamboo space
for that monkey, that moon,
those flutes of feathers,
and happy day pennant flags,
a few paisley prints twisting,
wedding bands sewn down, —
pulling up now,
preferences for all the yellow birds
minus clunky gold cages,
and frozen gauze butterflies
take a quiet lunar sun to eat,
and one conversation piece crimson spot
some clever chump will market
as a deep ruby red, — garnet lace
quilting for Real Toads
Paul Whitener the Sycamore Tree
in what’s written
of blunt space
of moonlit night
of sycamore tree
of turning away
of turning towards
ready to die
over, and over again
as is best
as is done
with the edge
of small-town mouth,
of tongue to teeth,
for Real Toads
Mi Young Lee
how does anyone
interpret a life?
it’s the direction
your shoes point
that tells your
like your inside leg
like your hips
like in love,
22: NaPoWriMo and Real Toads
my winter art is solitaire
the queen of hearts comes first
followed by diamonds &clubs
spades are always last
that’s just how it goes
when there’s an absence of green
&because the heart knows
it’s a red &black world,
it chooses queen
Gerda Wegener for Real Toads
We fall from Heaven, put food on tables. We sit down in sacred scarred chairs, no one ever doubting the full moon’s ability to expose us like whores in white wet bathing suits. We fall further. We wonder. Will Heaven have fig leaves? We sure do like to paint them here.
for Real Toads
James Castle, untitled
talk is monotonous as hearing is humorous.
maybe it’s Boise, or maybe it’s art
on salvage paper. a milk carton
Ms. Mcgillicuddy saved back.
the sky that listens empties itself
so soot can smooth into feathery cracks.
saliva isn’t hopeless. it helps hodgepodge stick.
&remember, simple allegiance to mundane is best,
or else details will run away.
so look again. it is infinite.
houses start as sticks and bones.
sky and land are thirsty souls.
shepherd’s hook casts a thin tree shadow.
you can imagine leaves or even a title.
for Real Toads
Toril “California Poppy Glow”
The boy sits there. An empty-headed kid of eleven I guess
Staring in my general direction like a special kind of slow.
His older brother asks me to run some warm bath water.
Their father, with a face full of hair, reeks of smoke and
Cannot wash away his nicotine lips or stained smile.
And where is their mother, I always wonder when I come in.
The white wooden church next door, has been condemned
And belongs to them. They are going to fix it up, get closer
To God; preach the gospel, bring in some pews. But all they
Manage to lug in is a TV set and a coffee table to rest their
Beer cans on. Sweaty, they leave rings. And I’m too good for this.
Only I don’t know it yet. But maybe that’s what this boy who
Misses his mother is trying to teach me with his irksome eyes.
The oldest one is nailing blankets over broken glass right now
Because it’s cold. And sometimes it rains in December, and
Where is their mother? I can’t say why I go, leaving only a trace
Of mist leading out west. But as I sit on a train, I remember
Those boys, an anonymous sad wind blowing east of the Rockies
Where poppies never grow, because they’re not meant for snow.
And now I am remembering. Poppies were never meant for snow.
Written for Real Toads
Step 1: Clip that Crabtree
(She’ll never know)
Step 2: Get out a fat felt tip pen
(Like the one I use for my eyebrows)
(courtesy of markmelnicove.com)
Step 3: Cross-out text until
Weekly Writing Challenge: Image vs. Text